DV-made China : digital subjects and social transformations after independent film / edited by Zhang Zhen and Angela Zito.
In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. This digital turn has given us a 'DV China' that includes film and media communities across different so...
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Contributors: | , |
Format: | Electronic eBook |
Language: | English |
Published: |
Honolulu :
University of Hawaiʻi Press,
[2015]
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Series: | Critical interventions (Honolulu, Hawaii)
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Subjects: | |
Genre/Form: | Electronic books |
Local Note: | JSTOR |
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245 | 0 | 0 | |a DV-made China : |b digital subjects and social transformations after independent film / |c edited by Zhang Zhen and Angela Zito. |
264 | 1 | |a Honolulu : |b University of Hawaiʻi Press, |c [2015] | |
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504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Marking the body : the axiographics of the visible hidden camera / Abe Mark Nornes -- The cruelty of the social : xianchang, intersubjectivity, and interobjectivity / J.P. Sniadecki -- Filming power and the powerless : Zhao Liang's Crime and punishment (2007) and Petition (2009) / Li Jie -- The spectacular crowd : representing the masses in DV documentary / Shuang Shen -- DV-made Tibet : domestic videos, elite films and the work of Padma Tsedan / Robert Barnett -- Chinese independent cinema in the age of "digital distribution" / Dan Gao -- Chinese digital shadows : hybrid forms, bodily archives and transnational visions / Berenice Reynaud -- The recalcitrance of reality : performances, subjects, and filmmakers in 24 city and tape / Qi Wang -- Crossing cameras in China : Christian aesthetics and realized fictions in a DV world / Angela Zito -- DV and the animateur cinema / Paola Voci -- To whom do our bodies belong? : being queer in Chinese DV documentary / Luke Robinson -- Toward a digital political mimesis : aesthetic of affect and activist video / Zhang Zhen. | |
520 | 8 | |a In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. This digital turn has given us a 'DV China' that includes film and media communities across different social strata and disenfranchised groups. This study takes stock of these phenomena by surveying the social and cultural landscape of grassroots and alternative cinema practices. | |
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