Adapting the beat poets : Burroughs, Ginsberg, and Kerouac on screen / Michael J. Prince.
William S. Burroughs, Allen Ginsberg, and Jack Kerouac were three of the most significant figures of the Beat Generation, whose writings have been adapted and appropriated for graphic novels, feature-length films, and other media. Adapting the Beat Poets looks at film versions of their writings-incl...
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Full text (Emerson users only) |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Lanham :
Rowman & Littlefield,
[2016]
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| Series: | Film and history (Lanham, Md.)
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| Subjects: | |
| Local Note: | ProQuest Ebook Central |
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| 100 | 1 | |a Prince, Michael J., |d 1958- |e author. | |
| 245 | 1 | 0 | |a Adapting the beat poets : |b Burroughs, Ginsberg, and Kerouac on screen / |c Michael J. Prince. |
| 264 | 1 | |a Lanham : |b Rowman & Littlefield, |c [2016] | |
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Film and history | |
| 500 | |a "The subterraneans, or Arthur Freed's Beatnik musical -- Textural and lexical fidelities in the short film adaptations of William S. Burroughs: Towers open fire, The discipline of D.E., and The junky's Christmas -- David Cronenberg's Naked lunch: filming about Writing -- Mrs. & Mr. Cassady: Heart beat (1980) and The last time I committed suicide (1997) -- The many registers of Allen Ginsberg's Howl (2010) -- Jack Kerouac in the contemporary cultural stream: Walter Salles and Diego Rivera's On the road (2012) and Michael Polish's Big Sur (2013) -- Conclusion." | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: the authenticity project(ion)--the beats, authenticity, and adaptation -- the subterraneans, or Arthur Freed's Beatnik musical -- Textural and lexical fidelities in the short film adaptations of William S. Burroughs: Towers open fire, The discipline of D.E., and The junky's Christmas -- David Cronenberg's Naked lunch: filming about writing -- Mrs. & Mr. Cassady: Heart beat and The last time I committed suicide -- The many registers of Allen Ginsberg's Howl -- Jack Kerouac in the contemporary cultural stream: Walter Salles and José Rivera's On the road and Michael Polish's Big Sur -- Conclusion: beat authenticities and the iconic. | |
| 520 | |a William S. Burroughs, Allen Ginsberg, and Jack Kerouac were three of the most significant figures of the Beat Generation, whose writings have been adapted and appropriated for graphic novels, feature-length films, and other media. Adapting the Beat Poets looks at film versions of their writings-including Naked Lunch, Howl, and On the Road-and examines how these interpretations are linked to each other and how beat literature, which historically and artistically stakes itself on authenticity, can be significantly altered by such adaptations. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Burroughs, William S., |d 1914-1997 |v Film adaptations. |
| 600 | 1 | 0 | |a Ginsberg, Allen, |d 1926-1997 |v Film adaptations. |
| 600 | 1 | 0 | |a Kerouac, Jack, |d 1922-1969 |v Film and video adaptations. |
| 650 | 0 | |a American literature |y 20th century |x History and criticism. | |
| 650 | 0 | |a Beats (Persons) | |
| 650 | 0 | |a American literature |v Film and video adaptations. | |
| 650 | 7 | |a Beat generation. |2 aat | |
| 758 | |i has work: |a Adapting the beat poets (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGqv4KMWJfkMfvFm9hjCjP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Prince, Michael J., 1958- |t Adapting the beat poets. |d Lanham : Rowman & Littlefield, [2016] |z 9781442273245 |w (DLC) 2016020424 |
| 830 | 0 | |a Film and history (Lanham, Md.) | |
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