Film cultures / Janet. Harbord.

Film Cultures argues that our tastes for film connect us to social, spatial and temporal networks of exchange and meaning. Whether we view film in the multiplex, arthouse or the gallery, as cinema premiere, video hire or from a cable channel, whether we approach film as a singular object or a hypert...

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Bibliographic Details
Online Access: Full text (Emerson users only)
Main Author: Harbord, Janet
Format: Electronic eBook
Language:English
Published: London ; Thousand Oaks : Sage Publications, 2002.
Subjects:
Genre/Form:Motion pictures
Local Note:ProQuest Ebook Central

MARC

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245 1 0 |a Film cultures /  |c Janet. Harbord. 
260 |a London ;  |a Thousand Oaks :  |b Sage Publications,  |c 2002. 
300 |a 1 online resource (182 pages) 
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504 |a Includes bibliographical references and index. 
505 0 |a Cover; Contents; Acknowledgements; Introduction; Chapter 1 -- Breaking with the aura? Film as object or experience; Chapter 2 -- Spatial effects: film cultures and sites of exhibition; Chapter 3 -- Film festivals: media events and spaces of flow; Chapter 4 -- Marketing film and audiences; Chapter 5 -- Postmodern praxes: production on the national and global stage; Chapter 6 -- Aesthetic encounters; Chapter 7 -- Digitalization and its discontents; References; Index. 
520 |a Film Cultures argues that our tastes for film connect us to social, spatial and temporal networks of exchange and meaning. Whether we view film in the multiplex, arthouse or the gallery, as cinema premiere, video hire or from a cable channel, whether we approach film as a singular object or a hypertext linked to ancillary products, our relationship to film is inhabiting a culture. 
546 |a English. 
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